Gerechtigkeits Liga was formed in Germany in 1981 to create an outlet for the neurotic obsessions of its members. The group produced and released their first tapes, and videos and the 12″ vinyl maxie single The Games Must Go On, on their own record label Zyklus Records. In 1986/87 they moved their centre of operation to London. G.Ls first album was released on Side Effects Records, which was then owned and operated by Graeme Revell of the industrial group SPK. Throughout the 1980s the group was self-sufficient in producing music, films and videos. Multimedia performances took place all over Europe and North America. At the beginning of the 1990s G.L became partly inactive and didn’t release any new audio material, but towards the beginning of the Millenium, founder member Till Brüggemann felt the need to restart the project again. Since then, newly recorded tracks have been released on various European compilation projects. In 2005 two of G.Ls early vinyl releases as well as some previously unreleased audio material, were made available again in form of a CD digipack. Further audio, as well as video material was released as a limited edition on vinyl and DVD by the infamous label Vinyl-on-Demand in 2008. Gerechtigkeits Liga, now based in London and Berlin, consists of Till Brüggemann and Ragnar, who work together with friends and collaborators, who lend their support and skills to the various activities of the group. The new album Dystopia was released on the 12th of March, 2011, on re-launched Zyklus Records.
Orders are welcome now ! Please go to New releases. ________________________________________________________________________________________
Visual stimulation constitutes an integral part of the live experience and audiences throughout central Europe and the USA, upon exposure to their efficacy, have submitted to the manifesto of the Anti.
“Society is no longer in any sense egalitarian. As the tenets of collectivism are rejected ‘en masse’ , our perception of the evolutionary process becomes more and more confused, distorted and incomprehensible. Now the present situation has been reached whereby we are evolving without being aware of it. Is this because we don’t care, or is it a conscious rejection of our unmistakable connections with primitive culture? By rejecting the old ‘barbarism’ society ushers in more surely a new and more definite era of the dark ages”. ( Till Brüggemann, 1989 )